The Dark Side of SF
By Martin
Theodore
Science Fiction has a dark side. It has since the early days...Frankenstein,
or the Modern Prometheus being a prime example of the shadowy
borderlands where sf and horror come together. Seen by many
as the first science fiction novel, it paved the way for such
works as HG Wells' The War of the Worlds, a radio adaptation
of which scared the bejeezus out of many folks in the New York/New
Jersey area when it was broadcast, for those folks took it
seriously.
Indeed the chill of deep space is a large part of the literature
of the fantastic, and the shudders come in the future too.
Who can forget the alien ripping out of the man's chest in
Alien, or the awful premise of George Orwell's 1984?
There are whole subgenres of fiction treading that border...from
the far-flung tales of HP Lovecraft to the British school of
Dystopia, exemplified by John Brunner's Stand On Zanzibar and
paid homage to by Stephen King's The Stand. Tales of the nuclear
wasteland following the dropping of the Bomb are common, and
the fear of that bomb informed the filmic medium as well, bringing
to the screen such nuclear horrors as Them, Godzilla, and the
later Night of the Living Dead.
These were foreshadowed by Lovecraft's the Colour Out of Space,
perhaps his finest work, in which a meteor causes the death
of a town...and such examples of the dark underlining of sf
are everywhere these days, with mutants and creatures abounding
in films, books, and the ubiquitous videogames.
Not to mention the Twilight Zone...Serling's masterpiece of
a series, with pieces written by Bradbury, the thoroughly excellent
Richard Matheson, who returned again and again to the shuddersome
borderlands between sf and horror, Charles Beaumont, and Serling
himself.
Another fine example of this subgenre would be the two filmic
adaptations of John W Campbell's Who Goes There, both titled
The Thing.
As long as the fear of the Unknown is with us, then science
fiction will keep producing the thrills and chills of discovering
that the unknown is not only there, but hostile.
Selected works:
Ray Bradbury, Fahrenheit 451
John Brunner, Stand On Zanzibar; The Sheep Look Up
John Christopher, No Blade Of Grass
Pat Frank, Alas, Babylon
Robert Heinlein, Farnham's Freehold
Aldous Huxley, Brave New World
Stephen King, The Stand
HP Lovecraft, Tales of the Cthulhu Mythos
Richard Matheson, The Shrinking Man; I, Legend
George Orwell, 1984
Mary Shelley, Frankenstein
Robert Louis Stevenson, The Strange Case of Dr. Jekyll and
Mr. Hyde
HG Wells, The War of the Worlds
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