Genius Lociby Zen
The genius loci expresses itself in thousands of ways. Not only travel writers and geographers, but also centuries of novelists, artists, poets, filmmakers, musicians, and others have used their concept of place in their work and lives, attempting to describe or capture a “sense of place” or a “spirit of place” in their form of communication. Here at Panhistoria, many of us are following in this long and honoured tradition! One has only to look around the novels to see how genii loci create the context for many of our stories, and how we individually relate to and interact with the very different kinds of environments and spaces we place our characters into. Something about a particular landscape or location draws us in and attaches us to those places. Whether the setting is a house, such as Souvenir de la Mal Maison, a town or a city, such as Tombstone or Bath in Vice and Virtues, or an entire world such as Scotia, these locations are as central to their stories as the time period in which they are set. Even when a place isn’t minutely detailed or described, its unique character can still be felt, defining the lives and actions of the characters that associate with it. More than simply a backdrop against which a story unfolds, a location may be almost like an extra character in the drama, invisible but still subconsciously felt.
Despite whatever elusive genius loci drew us to the places we locate our
stories in, most of us have never been there in the flesh, and yet that
doesn’t prevent us from seeing and experiencing places that are fictional or
re-imagined from the past, or at the other end of the world. Panhistoria is a
venue where spirit of place can thrive in the imagination. A chosen location can
touch off an entire flood of story-building and information. As writers, we can
be simultaneously inspired by and redefine the distinctive, unique genii loci
of special places such as Imperial Rome or Renaissance Venice or 19th century
San Francisco. |